Teaching in the Career Training and Workshops programs for RMSP I get a lot of questions. (Bring ‘em on, I love questions!)

One equipment-related topic seems to be more of a stumbling block for new photographers than any other. At some point we’re all told that our lenses are going to perform differently from camera to camera. Friends, camera store employees and magazines throw around words like crop factor and explanations are given, but many people still are left scratching their heads.

I’m going to try to break it down for you in hopes that it will clear things up. Hold on tight because it’s gonna seem like math class for a while. If nothing else, enjoy the pictures of the cute kid.

Here it goes…

Before the days of digital SLRs, lenses were pretty straightforward. A 100mm lens was a 100mm lens. Nowadays the same lens will behave very differently based on the camera on which the lens is mounted. This phenomenon is commonly called Crop Factoror Field of View (FOV) crop. To understand what’s going on we first need to review a few basics:

Field of View describes the amount of your scene a given lens takes in.

  • A wide angle lens takes in large amount of the scene.
  • A telephoto lens takes in a very narrow part of the scene

How your Lens Works ...well kind of.

Your lens is a cylinder that focuses light inside your camera, which is probably not a surprise to you. Being a cylinder, your lens projects a circle of light onto the digital sensor in the back of your camera (upside down and backwards of course, but that’s for another article). This is called the image circle. (fig. 1)

Figure 1

Film and Digital Sensors

Your digital sensor sits inside the image circle just as your film did back in the day. The lens and your DSLR camera body were designed based on Film SLR dimensions and the need to cover a piece of 35 mm film with the image circle. The image circle was projected onto the film so that most of the circle was recorded by the rectangular piece of film. A full frame digital sensor is the same size as a piece of film (approx. 1”x1.5”) and, as a result, takes in the same amount of the image circle. (fig. 2)

Figure 2

Digital Sensors and Their Sizes

A full frame digital sensor doesn’t alter the field of view of the lens because it fills the image circle in the same way that a piece of film did. Not all digital sensors are the same size, however, and this affects the Field of View that your lens takes in.

The two most common sensor sizes are “Full Frame” and APS-C or “crop sensor”. An APS-C sensor measures roughly .8”x.5 inches, or half the length and width of a full frame sensor. The image circle projected by a given lens remains the same on all cameras but the APS-C sensor takes up a smaller area within the circle. When placed inside the same image circle, the APS-C sensor will take in significantly less of the image circle than the Full Frame sensor. (Fig. 3)

Figure 3

So by using the same lens on a camera with an APS-C sensor you will get an image with a Field of View that is narrower than with a Full Frame Sensor. (Fig. 4) This is due to the fact that the smaller sensor records less of the image circle.

Figure 4

Crop Factor

Here’s another way of thinking about it…as your sensor gets smaller it will result in an image that appears like it has been taken by a lens with a longer focal length because the field of view is getting more narrow. This change in the Field of View of your lens can also be called your effective focal length. To determine your effective focal length you must first know the crop factor of your sensor.

Knowing the crop factor of your camera is pretty straightforward; specific cameras have specific crop factors. Below are some common cameras and their associated crop factors:

Camera Crop Factor
Nikon D5200, D7100 (APS-C) 1.5
Nikon D3s, D4, D800, D600 (Full Frame) 1
Canon 60D, 70D, 7D, Rebel (APS-C) 1.6
Canon 1Dx, 5D mkIII, 6D (Full Frame) 1

So if you put the same 100mm lens on a Nikon D810 or D7200 you will get the following effective focal lengths:

Camera Lens Crop Factor Effective Focal Length
Nikon D810 100mm x1 100mm
Nikon D7200 100mm x1.5 150mm

Okay, so how does all of this effect you? When buying a new lens (you know you want one and it's just a matter of time) you'll need to consider the crop factor of your camera nad the resulting effects on focal length. A 24mm lens will end up with an effective focal length of 36mm on most crop sensor cameras.



Tony Rizzuto

Tony Rizzuto has been a photographer for 14 years. Although his interests and photographic subjects are diverse, teaching is his primary passion. Tony is a 2001 Summer Intensive graduate and has spent the last nine years as the owner and head photographer at Sandbox Studios in Missoula, Montana, where he caters to both corporate and private clients. Prior to focusing exclusively on his portrait studio and teaching, Tony served as the Curriculum Director at Rocky Mountain School of Photography. His work has been featured on the cover of Rocky Mountain Child and in the pages of Three Rivers Lifestyle magazine and the Missoulian. He brings the same relaxed and humorous approach to both the classroom and the studio.